You talk to the camera, and agents do the rest: they cut the ums, keep the best take, tighten the pacing, research the thumbnails, and gate every version through quality control before you see it.
First month freeThen £99 / seat / month · on top of a codus seat
Give an agent one line and it runs the whole playbook: it researches the brand, signs itself up with its own email and phone number, films the flow in a browser with a visible, human-paced cursor, narrates it from a written script, and polishes it under the same graphics and sound rules as every codus cut. A full production has been measured at about two hours, unattended.
An independent Quality Control agent re-checks the final render and watches it like a viewer before you ever see it. Queue one brief per feature and the scheduler works through a whole how-to library.
When you are the one on camera, the whole pipeline still lives in the app. Footage never leaves for an external editor, and every stage is an agent you can steer.
One button captures screen, system audio, mic and camera. A visual picker shows live thumbnails of every source. The camera preview carries a live face touch-up, masked to skin, so you look rested on a Tuesday. A tablet teleprompter scrolls your script with speed and position jogs.
A word-timestamped transcript drives the edit: ums, false starts and duplicated phrases go, the best of your retakes stays, dead air tightens without ever cutting a word. Long videos split into segments that agents edit in parallel, then a Quality Control agent gates the joined cut.
Thumbnails are researched before they are drawn: agents mine your niche for tested visual models, then produce ten candidates per format, 16:9 and 9:16. Vertical ports follow their own grammar instead of a squeezed crop.
Every project runs through a specialist agent team. A Director briefs and sequences the work, editors cut segments in parallel, a Quality Control agent gates every version against client-feedback rules, and a Thumbnail specialist owns the packaging. One owner per fix, sequenced verification, no duplicated work.
The Scripts tab keeps variants side by side: agents draft case-study walkthroughs and daily news reads in your spoken register, grounded in real facts, never invented numbers. Every save pushes to the cloud teleprompter, so the tablet beside your camera always has the latest read.
Agents find the exact moment a clip earns its place, verify it against the transcript and the picture, and keep the licensing trail.
An agent drives your site in a recorded browser session: scrolling, clicking, logging in, with a visible cursor. Real footage, not a screen grab.
Data claims get a chart chosen for the claim, rendered offline to alpha video that composites straight over the cut.
Lower thirds, count-ups and callouts ship as true-alpha renders. The default is no graphic: each one has to argue for itself.
Music and SFX come with their licence and credit text attached. The build fails if an asset has no provenance.
Bring your own OpenAI and ElevenLabs keys for image assets and voiceover, wired into the same pipeline.
The agents run on your own Claude subscription and the voice on your own ElevenLabs key, and codus never meters you. Once the module is on, a library of two hundred how-to tutorials costs what your subscriptions cost, which is why you can afford one for every feature you ship.
The Video discipline is a £99 per seat monthly module on top of your codus seat. Toggle it for the people who publish, leave it off for the rest.